Will I "Really Like" this Movie?

Navigating Movie Website Ratings to Select More Enjoyable Movies

Archive for the tag “Cinemascore”

Musings After a Quiet Movie Weekend

There were no changes this week to the 2017 Objective Top Ten. None of the movies that opened last weekend earned a Certified Fresh on Rotten Tomatoes. So, I have nothing to talk about. Right? Oh, you are so wrong.

First, regarding that Objective Top Ten that I update every Monday, I want to be clear about something. I’m not suggesting that you will like every movie on that list. I’m not suggesting that there aren’t good movies that didn’t make the list. In fact, my two favorite movies so far, Beauty and the Beast and Gifted, aren’t on the list. It is just an objective measure of quality. It doesn’t take into account your personal taste in movies. For example, if you typically don’t like Art House movies you may not like Kedi, which is a documentary about the hundreds of thousands of cats that have been roaming Istanbul for thousands of years, or Truman, which is a Spanish language film that celebrates the enduring nature of good friendship. These low budget movies tend to take risks and aren’t intended to please the general audience. But, would you really prefer to see the new Transformers movie which opened yesterday and is 16% Rotten on Rotten Tomatoes? You may prefer to avoid all three movies and that’s okay. The point of the list is to give you a menu of quality movies and if any naturally intrigue you, the odds are that it will be a “really like” movie for you.

Turning from low budget Art House films to big budget Blockbusters, the success of two other movies on the list explain why movies based on comic books are here to stay for the foreseeable future. Logan with its estimated $97 million production budget and Wonder Woman with its estimated budget of $149 million have returned a tidy return in worldwide box office receipts of over $617 million and $578 million, respectively. When quality movies in the comic book genre are made, they spin box office gold.

A couple of other notes on the Objective Top Ten List. In July I plan to expand the list to fifteen movies and in October I’ll expand it again to twenty movies. This will better accommodate the number of quality movies that typically are released over the second half of the year. Also, I’m close to being able to incorporate Cinemascore grades into the probabilities for the Objective Top Ten. It’s possible that this change may be incorporated as early as next Monday’s update. This change will differentiate better one movie from the next.

Finally, two movies that I have my eye on for this weekend are The Beguiled ,which earned Sofia Coppola the top director award at Cannes, and The Big Sick, which is already 98% Certified Fresh on Rotten Tomatoes.

Leave Mummy Out of Your Father’s Day Plans

One of the goals of this blog is to make sure that you are aware of the internet tools that are out there to protect you from wasting your time on blockbusters like The Mummy. While it had a disappointing opening in the U.S., moviegoers still shelled out an estimated $32.2 million at the box office last weekend for this bad movie. Overseas it met its blockbuster expectations with a box office of $141.8 million. However, if you were really in the mood for a horror genre movie a better choice, but not a sure thing, might have been It Comes At Night which had a more modest U.S. box office of $6 million.

As a general rule, I won’t go to a movie on its opening weekend. I prefer to get at least a weekend’s worth of data. But if you just have to see a movie on its opening weekend here are a couple of hints. First, if you are seeing the movie on its opening Friday, the most reliable indicator is Rotten Tomatoes. Most critics have released their reviews before the day of the movie’s release. The Rotten Tomatoes rating on the movie’s release date is a statistically mature evaluation of the movie. It won’t change much after that day.

If you are going to the movies on the Saturday of opening weekend, you can add Cinemascore to the mix. I’ve blogged about this tool before. This grade is based on feedback moviegoers provide about the movie as they are leaving the theater. The grade is posted on the Saturday after the Friday release.

Finally, by Sunday IMDB will produce a pretty good, though slightly inflated, average rating for the movie.

The comparison of these three checkpoints for The Mummy and for It Comes At Night might’ve been helpful to those who thought they were in for a “really like” movie experience.

Rotten Tomatoes IMDB Avg. Rating Cinemascore Grade
The Mummy Rotten (17%) 5.9 B-
It Comes At Night Certified Fresh (86%) 7.2 D

While the Cinemascore grade of D for It Comes At Night would keep me away from opening weekend for both movies, if I had to see one, it wouldn’t be The Mummy.

Here’s the data behind my reasoning. For IMDB, the breakpoint between a movie with a good chance that I will “really like” it and one that I probably won’t like is an average rating of 7.2. Movies with a 7.2 IMDB average rating of 7.2 or higher I “really like” 63.3% of the time. Movies with an IMDB rating less than 7.2 I “really like” 43.3% of the time. Turning to Rotten Tomatoes, Movies that are Certified Fresh I “really like” 68% of the time. These “really like” percentages drop to 49.6% for movies that are Fresh and 37.5% for movies that are Rotten. So absent any information based on my own personal tastes, I won’t go to the movieplex to watch a movie that isn’t graded Certified Fresh by Rotten Tomatoes and has an IMDB Rating 7.2 or higher. That doesn’t mean that there aren’t any movies out there that don’t meet that criteria that I wouldn’t “really like”. The movie may be in a genre that appeals to me which might provide some tolerance for a little less quality. That being said, the odds that I’ll “really like” a low rated movie are less than 50/50.

I should probably explore the potential of adding Cinemascore to the objective probability factors I use in developing “really like” probabilities. To date, though, I don’t have any Cinemascore data . I don’t yet have a feel for its “really like” reliability. For now, I just use it as another piece of data that might tip me one way or the other if I’m on the fence about a new movie.

Enjoy Father’s Day but stay away from Mummy.

Cinemascore Is For Opening Weekend, but Beware of Grade Inflation

We have just endured another Presidential Primary season where every tea leaf was micro-analyzed and every phrase parsed to death. One of the primary tools of the political pundits is the exit poll. In key districts across the primary State, pollsters await voters as they exit the polling place to determine who the voters were pinning their hopes on to lead the free world at that very moment and why. The exit poll fills our insatiable desire for instant feedback for what we’re collectively thinking.

The movie industry has its own version of the exit poll, Cinemascore. In the pre-IMDB days of 1978, the movie industry had the same concerns with critics that they have with Rotten Tomatoes today. The industry felt critics had too much influence with the viewing public. Cinemascore filled this perceived need to balance the sway of critics by measuring the opening night reaction to a movie from moviegoers who were walking out of the theater. Like political exit polls, the theaters polled in the survey were specifically selected to provide a cross section, regionally and demographically, of the viewing public in the U.S. and Canada. Participants in the survey answer six questions about the movie they’ve just watched including the assignment of a grade from A to F.

By going to the website linked above you can view the average grade from the surveys given to recent major movie releases. You can also type in a movie title released after 1978 to see that movie’s average grade. With a paid subscription you can enter the website and presumably access results from the other five questions surveyed. Not all movies are surveyed, only those considered major releases.

How useful are these grades? Well, if you absolutely can’t wait to see a movie, but you can hold off until Saturday night, they can be quite useful. The survey sample is representative of moviegoers like you. I would expect that most attendees of an opening night movie have a high degree of interest in the movie, just like you. On the other hand, if your decision to attend an opening weekend movie is more casually made, Cinemascore could be deceiving.

The 24 recent movie releases currently displayed on the Cinemascore Home Page are ranked below by grade with the accompanying IMDB rating results:

Cinemascore
Recent Movie Results
Movie Cinemascore # IMDB Votes IMDB Avg. Rating
ME BEFORE YOU A                6,217 7.9
CAPTAIN AMERICA: CIVIL WAR A            229,127 8.3
GOD’S NOT DEAD 2 A                3,809 3.3
JUNGLE BOOK, THE A              84,945 7.8
TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS A-                8,013 6.5
X-MEN: APOCALYPSE A-            102,507 7.4
ALICE THROUGH THE LOOKING GLASS A-              12,479 6.4
CONJURING 2, THE A-                7,238 8.4
NOW YOU SEE ME 2 A-                3,696 7.2
BARBERSHOP: THE NEXT CUT A-                2,099 6.1
MY BIG FAT GREEK WEDDING 2 A-                8,083 6.2
ANGRY BIRDS MOVIE, THE B+              13,128 6.4
WARCRAFT B+              45,628 7.8
HUNTSMAN: WINTER’S WAR, THE B+              23,522 6.2
MONEY MONSTER B+              11,349 6.8
MOTHER’S DAY B+                3,643 5.4
BATMAN V SUPERMAN: DAWN OF JUSTICE B            299,641 7.0
KEANU B                7,507 6.6
NEIGHBORS 2: SORORITY RISING B              16,437 6.1
POPSTAR: NEVER STOP NEVER STOPPING B                2,815 7.4
RATCHET AND CLANK B                1,778 6.1
CRIMINAL B-                5,452 6.4
NICE GUYS, THE B-              23,900 7.8
DARKNESS, THE C                1,901 4.1

If an IMDB rating of 7.3 or higher is considered an above average rating, then only a Cinemascore of A is solidly reinforced by the IMDB average ratings. Of the 7 movies  receiving an A- grade only X-Men: Apocalypse and The Conjuring 2 were considered above average by IMDB voters. A Cinemascore of A- may not translate favorably when the more general audience begins to view the film. If on the other hand, you are really into Christian movies and you were really looking forward to God’s Not Dead 2, Cinemascore is going to be a better indicator of the quality of the movie than IMDB, whose voters may not be representative of your taste in movies.

Cinemascore was created before we had sites like IMDB. It still has its use for “must see” opening weekend moviegoers and movies for unique tastes. Once you get past opening weekend, however, IMDB is probably a better tool for word of mouth feedback.

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6/17/2016

I’ve entered my final estimate for Finding Dory this morning. The early indicators are that this will be a critical and box office success. I’ve forecasted it will be a “really like” of 85%.

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