Will I "Really Like" this Movie?

Navigating Movie Website Ratings to Select More Enjoyable Movies

Archive for the tag “Atomic Blonde”

What IMDB Ratings Give You the Best Chance for a “Really Like” Movie?

As I was browsing the IMDB ratings for the movies released in July, I wondered how the average user of IMDB knows what is a good rating for a movie. I’m sure the more than casual visitor to IMDB would see the 8.2 rating for Baby Driver and immediately recognize that only above average movies receive ratings that high. Or, they might see the 1.5 rating for The Emoji Movie and fully understand that this is a really bad movie. But, what about the 6.8 for Valerian and the City of a Thousand Planets or the 7.2 for Atomic Blonde. They might have a number in their head as to what is the tipping point for a good and bad rating but that number could only be a guess. To really know, you’d have to compile a list of all the movies you’ve seen and compare their IMDB rating to how you’ve rated them. That would be crazy. Right? But, wait a minute. I’m that crazy! I’ve done that! Well, maybe not every movie I’ve ever seen. But, every movie I’ve seen in the last fifteen years.

So, given the fact that I’ve done what only a crazy man would do, what can I tell you about what is a good IMDB rating. Here’s my breakdown:

IMDB Avg. Rating # I Really Liked # I Didn’t Really Like Really Like %
> 8.2 108 43 71.5%
7.2 to 8.1 732 427 63.2%
6.2 to 7.1 303 328 48.0%
< 6.2 6 71 7.8%
> 7.2 840 470 64.1%
< 7.2 309 399 43.6%
All 1149 869 56.9%

The data suggests that IMDB ratings of 7.2 or higher give me the best chance of choosing a “really like” movie.

I mentioned a few posts ago that my new long range project is to develop a database that is totally objective, free from the biases of my movie tastes. I’m compiling data for the top 150 movies in box office receipts for the last 25 years. It’s a time-consuming project that should produce a more robust sample for analysis. One of my concerns has been that the database of movies that I’ve seen doesn’t have a representative sample of bad movies. While it’s a long way from completion, I have completed years 1992 and 1993 which are representative enough to make my point.

IMDB Avg. Rating % of All Movies in Objective Database (Years 1992 & 1993) % of All Movies in My Seen Movie Database
> 8.2 1% 7%
7.2 to 8.1 23% 57%
6.2 to 7.1 35% 31%
< 6.2 41% 4%

Over the last six or seven years in particular, I have made a concerted effort to avoid watching bad movies. You can see this in the data. If 7.2 is the “really like” benchmark, then only 24% of the top 150 movies at the box office are typically “really like” movies. On the other hand, my selective database has generated 64% “really like” movies over the past 15 years. This is a big difference.

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While no new movies broke into the Objective Top Fifteen this week, Megan Leavy, which was released around eight weeks ago, slipped into the list. This under-the-radar movie didn’t have enough critics’ reviews to be Certified Fresh on Rotten Tomatoes until recently.

As for this weekend, The Dark Tower could be a disappointment to everyone but the most die-hard of Stephen King fans. Instead, I’m keeping an eye on Detroit. This urban drama, directed by Kathryn Bigelow, captures the chaos of Detroit in 1967. It probably will be surveyed by Cinemascore.

A third movie, that probably won’t be surveyed by Cinemascore but I’m watching nevertheless, is Wind River. Taylor Sheridan, who wrote the acclaimed movies Hell or High Water and Sicario, wrote this movie. Sheridan is a great young talent who is stepping behind the camera in his directorial debut as well.

 

 

 

 

Why Did “The Big Sick” Drop Out of the Objective Top Fifteen This Week?

This past Sunday my wife, Pam, and I went to see The Big Sick. The movie tells the story of the early relationship days of the two screenwriters, Emily Gordon and Kumail Nanjiani. In fact, Nanjiani plays himself in the movie. It is the authenticity of the story, told in a heartfelt and humorous way, that makes this film special.

On the following day, last weekend’s blockbuster, Dunkirk, moved into the second spot in the revised Objective Top Fifteen rankings. When a new movie comes on the list another one exits. This week’s exiting movie, ironically, was The Big Sick. Wait! If The Big Sick is such a great movie why isn’t it in my top fifteen for the year? Are all of the other movies on the list better movies? Maybe yes. Maybe no. You’ll have to determine that for yourselves. You see the Objective Top Fifteen is your list, not mine.

I developed the Objective Top Ten, which became Fifteen the beginning of July and will become Twenty the beginning of October, to provide you with a ranking of 2017 widely released movies that are most likely to be “really like” movies. Because the ranking is based on objective benchmarks, my taste in movies has no influence on the list. The four benchmarks presently in use are: IMDB Avg. Rating, Rotten Tomatoes Rating, Cinemascore Rating, and Academy Award Nominations and Wins. A movie like Hidden Figures that meets all four benchmarks has the greatest statistical confidence in its “really like” status and earns the highest “really like” probability. A movie that meets three benchmarks has a greater “really like” probability than a movie that meets only two benchmarks. And so on.

The important thing to note, though, is that this is not a list of the fifteen best movies of the year. It is a ranking of probabilities (with some tie breakers thrown in) that you’ll “really like” a movie. It is subject to data availability. The more positive data that’s available, the more statistical confidence, i.e. higher probability, the model has in the projection.

Which brings me back to The Big Sick. Cinemascore surveys those movies that they consider “major releases”. The Big Sick probably didn’t have a big advertising budget. Instead, the producers of the film chose to roll the movie out gradually, beginning on June 23rd, to create some buzz and momentum behind the movie before putting it into wide release on July 14th. This is probably one of the reasons why Cinemascore didn’t survey The Big Sick. But, because The Big Sick is missing that third benchmark needed to develop a higher probability, it dropped out of the Top Fifteen. On the other hand, if it had earned at least an “A-” from Cinemascore The Big Sick would be the #2 movie on the list based on the tie breakers.

And, that is the weakness, and strength of movie data. “Major releases” have it. Smaller movies like The Big Sick don’t.

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This weekend may be the end of the four week run of Objective Top Fifteen movie breakthroughs. Atomic Blonde, the Charlize Theron spy thriller, has an outside chance of earning a spot on the list. As of this morning, it is borderline for the IMDB and Rotten Tomatoes benchmarks. I’m also tracking Girls Trip which earned a Certified Fresh just in the last couple of days from Rotten Tomatoes and has an “A+” in hand from Cinemascore. For now, it is just below the IMDB benchmark. We’ll see if that changes over the weekend.

 

 

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